Together with their other friend, Cricket, a ditzy actress aspiring to play something other than a coma victims on ER, they must navigate through celebrity-hell if they're ever going to make it to the red carpet. Lola's best friend Kate, is an ambitious young agent desperate to sign a big name. But he'll be down and out if he can't get someone to wear his designs on Oscar night so persuades Lola to become his Hollywood Ambassador. Julian, Lola's BGF (best gay friend), is a designer on the up. She's gone cold-turkey, and resolved to plough her energy into helping her friends instead. Stuck in a pattern of dating beautiful actors then as soon as she's got over the dazzle of their teeth and the rockhard abs, realising they're just as self-obsessed as the last one. What would you do if you were born on Oscar night into Hollywood royalty? If you went to Vanity Fair parties rather than birthday parties? And if your life felt like a glamourous movie - but you were only an extra in it, playing boyfriendless, jobless hopeful no.310? I feel honored to be with those other women artists. I really like flipping the script on what it is to bring art out of the usual spaces and into our daily lives. She started her career in production in New York and went on to produce and co-star with her father in the critically acclaimed independent film Americano. in Art History at the University of California at Davis and studied theatre in New York City at William Esper. It was quite radical, and I do think that by putting these paintings on the walls, there is a kind of continuation of holding that space, myself and the others in the featured artist program and the collection. Ruthanna Khalighi Hopper is Dennis Hopper's daughter. I imagine what that space was like in the 1920s and who those women were who were able to get there. And I appreciate how the hotel is upholding this feminist history. I think about those women travelers and what it required for them to get there, to a place where they were able to live freely and safely as single women. “I mean, not to get too out there with it, but it’s just where I come from. Download Steven Brill, Ruthanna Hopper at the The Do-Over Premiere Screening, Regal 14 Theaters, Los Angeles, CA 05-16-16 stock editorial photography. “I do feel the energy of the women who’ve come through there,” says Hopper. Hopper (the daughter of Daria Halprin and Dennis Hopper) grew up in Marin County, in the living laboratory of artists and dancers gathered at the Mountain Home Studio to work with her mother and grandmother, the celebrated dancer Anna Halprin, as well as her grandfather, renowned landscape architect Lawrence Halprin.Īlison Van Pelt in the Hotel Figueroa Art Collection And these are the issues that they as artists worked with, that they would bring philosophically into this idea of being in space with human beings, and constant motion.” I’ve been so influenced by my grandmother’s work in dance and the environment, and my grandfather’s work in the landscape. You know that’s very interesting to me in particular, because in my practice, I feel rooted through my upbringing in feeling space and movement. From a visual artist’s perspective, it’s so compelling that it’s this living, breathing organism. It’s unusual for a hotel space, what they’re creating it has this feeling of a home museum. Really, I mean, I feel like they’ve completely embraced the feminist history in such a compelling way,” Hopper tells L.A. “Yes, it’s quite remarkable what they’re doing. Even the elevator door landings have original murals on them. In addition to carefully curated editioned works for guest rooms, and a swashbuckling exterior mural, the hotel has been amassing an enviable permanent collection almost entirely comprised of Los Angeles-area women artists, and hosts a regular Featured Artist exhibition in its dedicated passageway gallery. Several original architectural details remain that pay tribute to this history, but it’s in the hotel’s ever-evolving art program that the depth of this commitment and the joy with which it is pursued make themselves felt. Even through major contemporary renovations to its splendid 1920s Spanish Colonial style, it has not strayed from this foundation. It was opened in 1926 by the YWCA for an exclusively female clientele, as a haven for solo female travelers who were prohibited from checking into most hotels without a male chaperone. But Hotel Figueroa is uniquely intentional in its integration of visual art into its character, in an inspirational way that specifically honors and expands its own laudable, pioneering feminist history. Hotel Figueroa is not the only boutique hotel with an art program, not even the only one staging exhibitions others, too, have built permanent collections over the years through acquisitions and commissions.
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